虽然当代隶书创作已逐步显露出不同于汉隶、也不同于清隶的新的时代特征,但总的发展态势却明显不如行草书,而且创作风格趋同,缺乏经典的深刻隽永。那么,产生这一困境的原因何在?隶书是否真的已渐趋没落?隶书在当代的发展究竟应该何去何从?这一连串的问题是我们所有关心隶书发展的人不得不面对的,也是从事隶书创作者需要深思的。纵观以往的历史,我们可以清楚地看到书法的五种书体在不同时代的发展并不均衡,对于我们这个时代来说,行草书是最受青睐的书体,而正书,包 Although contemporary official script writing has gradually revealed that it is different from Han Li and also unlike the new era characteristics of Qing Li, the general trend of development is obviously not as good as that of cursive writing, and the convergence of creative styles lacks the deep and meaningful classic. So what are the reasons for this dilemma? Is the official script gradually declining? Where should the current development of the official script be go? This series of questions is that all of us who are concerned with the development of official script have to deal with the creation of official script Need to think deeply. Looking at past history, we can clearly see that the five types of calligraphy’s calligraphy are not evenly balanced in different times. For our time, cursive writing is the most popular book style.