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仔细想一下,你会发现一个有趣的现象:在古典乐界,男性小提琴家大都相貌平平,而知名的女小提琴家却是个个艳光照人。且不说穆特标准的日尔曼香肩美人形象、美多利的日本洋娃娃造型,就连年过50的郑京和,也依然是妩媚动人,一颦一笑间有说不尽的风韵。不过,要是丽拉.约瑟芙维茨现在和她们站在一起,几位大师说不定真的会有“美人迟暮”的感叹。丽拉.约瑟芙维茨1977年10月20日出生在加拿大多伦多市,4岁学琴,10岁上电视表演时被英国圣马丁学院管弦乐团的首席指挥内维尔.马里纳一眼看中。1993年,丽拉在纽约卡内基音乐厅举行了第一场个人音乐会,为她助阵的就是马里纳和圣马丁学院管弦乐
If you think about it carefully, you will find an interesting phenomenon: in the classical music world, most male violinists are average, while the famous female violinist is a brilliant person. Not to mention Mu Teh standard German beauty image of the Shoulders, Mei Dolly’s Japanese doll shape, and even over 50’s Zheng Jinghe, is still charming and charming, a smile between the endless charm. However, if Lira Josephievic is standing with them now, some of the masters may indeed have a “sigh of beauty”. Lila Josephoff was born on October 20, 1977 in Toronto, Canada, where she studied piano at the age of four and at the age of ten by Neville Marina, chief conductor of the British St Mary’s College Orchestra. In 1993, Lira held her first solo concert at the Carnegie Hall in New York, where she played host to the Orchestra and St Martins’ Orchestras