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本文以意大利当代作曲家鲁契亚诺·贝里奥《模进》系列做平中的第十四首作为研究对象。主要从四个方面入手:创作背景、核心音集、音高材料和演奏技法。所采用的分析理论为音级集合理论。通过对集合间的一种相互关系,可以更直观的呈现出音高材料在作品中的应用,为作品的分析带来了很多便利和理论依据。在对作品截断的划分上,我们找到了作品中的核心音集,并从音程级涵量中找到贯穿整首作品的音程素材,因此为其他音高素材提供了关联性。
In this paper, the fourteenth chapter of the Italian contemporary composer Luciano Barrio ’s “Molding” series is taken as the research object. Mainly from four aspects: creative background, core sound set, pitch material and playing techniques. The analytical theory used is sound level set theory. Through the interrelationship between sets, the application of pitch material in works can be more intuitively presented, which brings a lot of convenience and theoretical basis for the analysis of works. As for the division of works, we find the core soundstages in the works and find the soundtrack material that runs through the whole work from the sound level level, thus providing the relevance for other pitch material.