19世纪的巴黎成为了创造现代性的神话之都,由于城市的改建在一定意义上改变了人居场所的原有状态,使得公共空间与私人空间的界限渐渐模糊,印象派画家敏锐地意识到这是一种互相交织的空间结构,于是一种在私人领域与公共景观交织的空间就成了画面上新的场景再现,其中就包括作为19世纪巴黎市民休闲重要组成部分的剧院和包厢。包厢内外在场的男性目光雷诺阿在1874年第一次印象派 In the 19th century, Paris became the myth of modernity. As urban redevelopment changed the original state of human settlements to a certain extent, the boundary between public space and private space gradually became blurred. Impressionists were keenly aware of this Is a kind of intertwined spatial structure. Therefore, a space interwoven with the public landscape in the private domain becomes a new scene reproduction of the scene, including theaters and boxes that are an important part of leisure for Parisian people in the 19th century. Men inside and outside the box looking away Renault’s first impressionism in 1874