近百年来,中国画的改革胜于继承。自中央美院将构成课引入国画教学之后,各省美术院校也纷纷效仿,但我们尚未理清一个问题,那就是西方人所谓的画面结构在中国画中是否存在,中国画是靠什么来结构画面的。下面就水墨构成课需要重视的三个具体问题进行探讨。一、重视四条边线我们暂且抛开笔墨、写意精神、境界等问题不论,面对一张白纸,究竟如何结构画 In the past century, the reform of Chinese painting is better than inheritance. Since the Central Academy of Fine Arts introduced the composition class into the traditional Chinese painting teaching, the art academies in all the provinces also followed suit. However, we have not yet clarified the question whether the so-called picture structure of the Westerners exists in Chinese paintings and what Chinese paintings depend on . Here are three specific issues that need to be emphasized in the ink lesson. First, pay attention to the four edges We for the time being put aside the pen, freehand spirit, realm and other issues no matter, in the face of a piece of white paper, how exactly the structure of the painting