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埃德蒙·胡塞尔始创的现象学,在近一个世纪里,已经蔚为大观,形成了一个现象学的大家族,并成为当今西方学术领域一重要思潮.将现象学的原理引入美学研究和文学批评,在英语世界还是晚近的事,据说,最早不过始于六十年代中叶.可是几乎在这同时,现象学的原理也渗入到了我国艺术文化领域.据海外学者郑树森先生提供的资料,最早运用现象学原理来研究中国文学的是香港新亚研究所的徐复观教授.他在1966年出版的《中国艺术精神》一书里将老庄的心斋之心比之为胡塞尔现象学的纯意识.他指出,在胡塞尔看来,物的本质就表现为紧密
In the past century, the phenomenology founded by Edmund Husserl has become a grand concept of the phenomenology and has become an important trend of thought in the western academic field at present. The principle of phenomenology is introduced into the study of aesthetics Literary criticism is still a recent event in the English-speaking world, and it is said that the earliest beginning was only in the mid-1960s. However, almost at the same time, the principle of phenomenology also infiltrated the art and culture of our country. According to the information provided by Mr. Zheng Shusen, an overseas scholar, Professor Xu Fuguan, who used phenomenological principles to study Chinese literature at the New Asia Institute in Hong Kong, compares Lao Zi’s Heart of Zhai to Husserl’s Phenomenology in his 1966 book, Art of Chinese Spirit Pure consciousness, he notes, appears to Husserl to be very close in substance