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凯萝·邱吉尔以其建构性的角色设置赋予其剧作独特的社会学意义与美学内涵。角色换装解构了传统社会中男性/女性、白人/黑人、成人/儿童等二元对立模式。角色叠装凸显了个体变化的潜力,并暗示个体这一变化最终会延伸到社会结构以及文化等层面。角色轮装着力描摹了人生体验的普遍性。角色扮演的不断创新既与后现代戏剧的不确定性、流动性等风格一脉相承,同时也展现了人类生活本身的随意性、模棱两可性等特征。
With its constructive role, Carey Churchill set unique sociological and aesthetic connotations that conferred on the play. The role of disguise deconstructed the traditional society of men / women, white / black, adult / child dual opposition mode. Role overlay highlights the potential for individual change and suggests that individual change eventually extends to social structure and culture. The role of wheel loading hard to describe the universal experience of life. The continuous innovation of role play inherits the same style of postmodern drama as the uncertainty and liquidity. At the same time, it also shows the randomness and ambiguity of human life itself.