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宗白华为中国现代美学研究大家,其美学研究堪称融会中西、贯通古今的典范,其卓拔处尤体现于中国古典美学研究方面,为中国古典美学的现代转换和中国现当代美学的发展做出了卓越贡献,对此学界所论已夥,兹不赘述。这里,笔者试从学界不甚瞩目的宗白华有关中国画论的视角略致申说,以期管窥宗白华精深博赡的美学思想之一隅。宗白华论及中国画学的文章主要有《中国诗画中所表
Zong Baihua is a modern Chinese aesthetics researcher. His aesthetics is a model that integrates Chinese and western history and is ancient and modern, and his Zhuo Department is especially reflected in the study of Chinese classical aesthetics. Zong Baihua does a good job for the modern transformation of Chinese classical aesthetics and the development of China’s contemporary aesthetics. Outstanding contributions, the academic community has already been, do not go into details. Here, I try to make a simple explanation from the perspective of Zong Baihua’s less-than-academe theory about Chinese painting theory, in order to have a glimpse of the corner of Zong Baihua’s profound aesthetic ideas. Zong Baihua’s articles on Chinese painting mainly include “Chinese poetry and painting.”