清初的王时敏、王鉴、王翚、王原祁四人画风接近,按传统审美模式的心理定势,形成“四王”画派,当时以正统地位踞于画坛。他们不仅生前即已驰名,而且身后影响更甚。“四王”属于正统画派,同时也属文人画家,他们倡导了元四家及董其昌的绘画风格,而创造出了另一种新风格。“四王”绘画具有“中和”之美,能使人消除偏激浮 At the beginning of the Qing dynasty, Wang Shimin, Wang Jian, Wang Xuan and Wang Yuanqi moved closer to their style of painting. According to the psychology of the traditional aesthetic mode, they formed the “Four Kings” School of Painting with an orthodox status in the painting circle. Not only are they famous during their lifetime, but they are even more affected. The “Four Kings” belong to the orthodox school and are also literati painters. They advocated the painting styles of Yuan Sijia and Dong Qichang and created another new style. The “Four Kings” paintings have the beauty of “neutralization” and can make people eliminate the extreme floating