中晚唐的“苦吟”不仅是一种苦思的写法,还有更多的内涵。第一,苦吟诗人在人群上以科举穷士为主,内容上以吟苦及苦闷的消解为核心;第二,苦吟还体现了穷士诗人在困境中逆俗自立的不懈追求,他们或倚之科举及第,或倚之实现立言不朽的追求,或倚之寄托心灵、实现精神生命的延续;第三,苦吟还是苦吟诗人苦中作乐的生活方式与癖好,他们把苦吟与休闲结合起来,使苦吟成为一种颇有吸引力的写作与休闲自娱相结合的生活方式,有的苦吟诗人吟诗甚至达到了成狂成痴的地步;最后,苦吟诗人在风格上有苦吟以求怪奇和精妙的审美倾向。 In the late Tang’s “bitterness” is not only a wry wording, there are more connotation. First, the genial poet is mainly focused on the imperial examination and the poor in the crowd. The content is centered on the digestion and distress; secondly, the genre also embodies the unremitting pursuit of the poor poets in the predicament of self-reliance. The third is that they still mourn for poets in their bitter ways of life and hobbies, they put the hard work and leisure together, So hard to become an attractive combination of writing and leisure self-entertainment lifestyle, and some distraught poet Poems even reached the point of mad into a crazy into mad; Finally, the genius of the genteel have quibs in order to weird Exquisite aesthetic tendencies.