这是中央美术学院实行“导师工作室制”迁入新址之后的第一届研修学员作品。“导师工作室制”的优势在于“品牌”的创建,教师责任心大大加强,课程设置丰富而紧凑,同学们的学习积极性也有了很大提高。学员们的创作多元而丰富,从传统到现代的审美取向,从东方到两方的创作理论,重笔墨,重技法,重个性,重形式等都可得到发挥和发展。 这里选刊2002届国画系工作室学员部分作品。 This is the first seminar project after Central Academy of Fine Arts implemented the “mentor studio system” moved to the new site. The advantage of “mentor studio system” lies in the creation of “brand”, the teachers ’sense of responsibility is greatly enhanced, the curriculum is rich and compact, and the enthusiasm of students’ learning is also greatly improved. The students’ creation is diverse and rich. From the traditional to the modern aesthetic orientation, the creative theory from the east to the two sides, emphasis on ink, heavy technique, heavy personality and heavy form can all be exerted and developed. Selected Works of 2002 Chinese painting studio students part of the work.