作为绘画,屏弃故事情节,这是我的一贯主张。但是视觉意义上的“情节”在现实主义绘画创作里,却是极为重要的,这个“情节”的意义很宽泛,是通过“观看”获得的,比如形象、表情、动作、服装、光线、笔触、色彩、构图、明暗等。《工棚》能够成为一幅比较成功的作品,除了前文谈及的 As a painting, abandon the story, this is my consistent claim. However, the “plot” in the visual sense is extremely important in the realist painting creation. The “plot” is very broad in meaning and is obtained through “watching” such as image, expression, movement, clothing, light, brushwork , Color, composition, light and shade and so on. “Work shed” can become a more successful work, except as mentioned above