明清巨蚌传说中,蚌珠有鲜明稳定的女性性别特征。大蚌对龙夺珠的反抗,属非正统力量“以暴抗暴”;巨蚌还带来一些奇异的自然现象,清官往往充当解救蚌精与除蛟治水的角色。巨蚌信仰作为一种生态美学资源,凭借大蚌“受难——解难”的民俗叙事,构成了武侠小说“秩序重建”的审美功能。巨蚌故事所喻示的非常接近敬畏自然、珍爱生命的生态美学意旨,具有恒久的审美价值。 Ming and Qing dynasties clam legend, Clam has a clear and stable female gender characteristics. Opposite the dragon claw against the dragon claw, is an unorthodox power “to violence”; Giant clams also bring some strange natural phenomena, clean government often act as the rescue of clam essence and the role of water in addition to Jiao rule. As a kind of ecological aesthetics resources, the faith of giant clam constitutes the aesthetic function of martial arts novels “order rebuilding ” by virtue of the folk narration of big clam “suffering ”. Giant mussels story is very close to the reverence of the natural awe, cherish the ecological aesthetics of life, with a lasting aesthetic value.