巴赫作品中的倚音一直以来是其作品弹奏的难点,尤其弹奏速度、时值的选择要把握整首作品的旋律,需要演奏者自行判断,而且要根据需要注重音乐的表现力与所装饰的本音弹奏顺序处理,同时还要把握准倚音的时值和演奏速度。 Joy in Bach’s works has always been the difficulty of playing his works. In particular, the speed of play, the selection of the time to grasp the melody of the entire work, requires the player to judge, and according to the need to pay attention to the performance of the music and the The decorative notes are played in the same order, and at the same time the time and performance speed of the overseers are to be grasped.