20世纪二三十年代的“戏剧大众化”运动,以其视戏剧为向大众宣传无产阶级革命理论之武器的理论,以“民众戏剧”、熊佛西“戏剧大众化”实验、欧阳予倩开办广东戏剧研究所等实践,极大发挥了鼓舞士气、鼓吹革命的宣教作用,但是过分夸大了戏剧的政治作用而相对忽视了戏剧的艺术规律,值得后人扬弃和深思。 In the 1920s and 1930s, the “drama popularization” movement used its theory of drama as a weapon to propagate the proletarian revolutionary theory to the general public. Based on the experiments of “Popular Drama ”, Xiong Fu Xi “Drama Popularization ”, Ouyang Qian Qian opened the Guangdong Theater Research Institute and other practices, which greatly boosted the morale and promoted the revolutionary missionary role. However, excessive exaggeration of the political role of the drama and relatively neglected the artistic rules of the theater deserved to be abandoned and thoughtful.