作为两大系统的中西哲学文化,对“他者”问题有不同的认识与理解。在后现代语境中,解构理论对西方本体论传统的反思,中国艺术美学风格面向世界的现代性建设,赋予中国传统文明和当代艺术创造新的意义。只有以全球多元文化交流为背景,从“他者”角度切入,才能揭示出当代审美创造的文化与美学意义及引发的问题内涵。 As the two systems of Chinese and Western philosophy and culture, they have different understanding and understanding of the “otherness” issue. In the postmodern context, the deconstruction theory reflects on the tradition of western ontology, the modern construction of Chinese art aesthetic style facing the world and gives new meaning to Chinese traditional civilization and contemporary art. Only with the background of global multicultural exchange and the breakthrough from the perspective of “others ” can we reveal the cultural and aesthetic significance of the contemporary aesthetic creation and the connotation of the problems it causes.