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本文主要从四个方面梳理回顾了爱德华·阿尔比戏剧在国内的研究:阿尔比戏剧的荒诞性、阿尔比戏剧的批判性、阿尔比戏剧的生态性和阿尔比戏剧的现代性特点。同国外的研究现状相比,国内的阿尔比研究存有四点不足:一是研究作品过于集中,缺乏对阿尔比戏剧研究的整体观照;二是方法上缺乏中国学者的研究视角;三是阿尔比作品及研究成果的译介工作滞后;四是阿尔比戏剧演出与剧评工作投入不够。文章从四个层面归纳了阿尔比戏剧在中国受到冷遇的原因:社会需求层面、思想层面、艺术层面和传播媒介层面。为了从深度和广度上推进我国阿尔比戏剧研究,文章提出了四点建议:加强阿尔比戏剧的译介工作、加强阿尔比戏剧的专题研究、加大对阿尔比戏剧的演出及其剧评工作和增加对阿尔比国际学术研讨会的投入。
This article mainly reviews the research on Edward Albi theater in China from four aspects: the absurdity of Albi theater, the critique of Albi theater, the ecology of Albi theater and the modernity of Albi theater. Compared with the current situation in foreign countries, there are four deficiencies in the domestic Albi research: one is the concentration of research works, the lack of a holistic view of Albi theater research; the other is the lack of a methodological perspective on Chinese scholars; Than work and translation of research work lags behind; Fourth, Albi theater performance and drama critics input is not enough. The article summarizes the reasons why Albi plays are discouraged in China from four aspects: the social needs level, the ideological level, the artistic level and the media level. In order to promote the research on Albi theater in depth and breadth, the article puts forward four suggestions: strengthening the translation and alchemy of Albi theater, strengthening the special studies of Albi theater, and increasing the performance of Albi theater and its dramatic work And increase investment in Albi International Symposium.