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艺术史的撰写模式包括历史叙事与理论叙事。传统艺术史撰写以历史叙事为主导。进入现代以来,艺术史的撰写通常融合了侧重“史”的历史叙事与侧重“论”的理论叙事。行进至后现代,艺术史叙事的同一性受到质疑。推动艺术史的动力发生了变化,则艺术史的撰写方式也应随之变革。后现代语境下,新艺术史的撰写既要尊重多元文化下各个地域民族的艺术实践的独立性,又要将艺术与社会生活联合起来作社会历史语境的阐释,还要兼顾艺术作品的审美接受之维。
Art history mode of writing includes historical narrative and theoretical narrative. Traditional art history is dominated by historical narratives. Since entering the modern era, the writing of art history usually incorporates the historical narrative focusing on “history ” and the theoretical narration “theory ”. Travel to the postmodern, art history narrative identity is questioned. The driving force behind the promotion of art history has changed, and the way of writing art history should also change. In the postmodern context, the writing of the history of the new art should not only respect the independence of the artistic practices of the various ethnic groups under the multiculturalism, but also combine the arts with the social life to interpret the social and historical contexts, Aesthetic acceptance of the dimension.