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丧葬礼俗是中华文明在长期发展中积累演变的非常重要的民间习俗,是不同文明和不同地域民众最有辨识度的一种文化活动和社会行为,也是人类文明传承中最具有地域性和民族性的活动。丧葬礼俗传承的稳定性也是特定社会组织、社会关系最生动、最集中的反映。从洞头斋醮丧葬仪式中,笔者试图研究民间道教音乐如何在严格传承了道教仪式的同时,又实现了其科仪音乐的本土化和世俗化。
Funeral Etiquette is a very important folk custom evolved in the long-term development of Chinese civilization. It is a cultural activity and social act that has the most discernment degree among different civilizations and people in different regions. It is also the most regional and national characteristic in the transmission of human civilization activity. The stability of the heritage of funeral rites is also the most vivid and concentrated reflection of the social organizations and social relations. From the funeral ceremony at Dongtouzhai, the author tries to study how the folk Taoist music inherits the Taoist rituals at the same time, and realizes the localization and secularization of his music.