中国审美心理自其发端就以超脱于感官之外的形而上的美感为美的极致。富有中国传统文化滋养的李煜,充分利用了词这一特殊文学体裁,表现了以逸为美、以艳为美、以悲为美的传统审美心理。他的词作不仅在不同的时期表现了互不重复的特点,也在文学史上占据了不可替代的地位,具有独特的艺术魅力。 Since its beginning, Chinese aesthetic psychology has become the ultimate in beauty based on the metaphysical aesthetic feeling beyond the senses. Li Yu, rich in Chinese traditional culture, makes full use of the special genre of Ci, which shows the traditional aesthetic psychology of taking Yi as beauty, taking Yan as beauty and taking sorrow as beauty. His Ci not only shows the characteristics of non-repetition in different periods, but also occupies an irreplaceable position in the history of literature, with unique artistic charm.