从胡适先生的《尝试集》肇始,现代汉诗已走过了近百年的风雨历程。对人生,百年已是大限,但对于一种全新的文学体式而言,不过才迈过少年门槛,其未来尚不可限量。所以对诸如“诗歌已死”“读诗的没有写诗的多”等妄言,我们从来嗤之以鼻。在二十一世纪的今天,诗歌早已不是“献给无限的少数人”的贵族艺术,而是提前从纸媒时代进入了平民化的网络媒体和“自媒体”时代,写诗、读诗的人群不是在减少,而是呈几何级增多,只不过因其“无用”才越来越“大化”于民间,成为一种野蛮生长的力量。作为《青年文学》的新辟栏目,“汉诗·地方主义”也许暂时还担不起“呈现当下汉诗面貌”的重任,但它并不缺少这样的勇气和野心。它将把目光始 Beginning with Mr. Hu Shi's “Attempt Set,” modern Chinese poetry has gone through nearly a hundred years of stormy history. For life, a century has become the deadline, but for a new literary style, but only stepped the threshold of juveniles, the future is still unlimited. So for such as “poetry is dead ” “no poems and more ” and other rhetoric, we have always scoffed. Today, in the 21st century, poetry has long ceased to be the aristocratic art of “giving to the infinitesimals”, but has advanced from the era of paper media to the popular media and online media of “popularization” The people who read poems are not reducing, but increasing geometrically, but only because they are “useless” more and more “Dahua ” in the folk, become a force of barbaric growth. As a new section of “Youth Literature”, “Chinese poetic localism” may not yet be able to afford “the appearance of the present poem” for the time being, but it lacks such courage and ambition. It will look before you start