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2011年4月的一天,四川音乐学院的阶梯教室内座无虚席。除了作曲系的全体同学与大部分的教师之外,其他表演专业各系与音乐学系的当代音乐爱好者们都聚集在此,聆听刚刚参加完在克罗地亚举办的ISCM国际现代音乐协会音乐节归来的几位老师的现场汇报以及杨晓忠教授对自己的参会作品《移动的背景》音乐创作的视觉与策略所作的精彩讲解。讲座结束,笔者找来《移动的背景》的音响资料与总谱,反复拜读与聆听,终于完成这篇不敢称其为评论,准确说是一篇学习心得的文章以供爱乐者们分享。
One day in April 2011, the Sichuan Conservatory’s classrooms were packed. In addition to all the students in the composer’s school and most of the teachers, contemporary music lovers from other departments and music departments of the performing arts department are gathered here to listen to the ISCM International Modern Music Association Music Festival which just attended the festival in Croatia. , And the wonderful explanations of Professor Yang Xiaozhong on the visual and tactics of his “moving background” music creation. At the end of the lecture, I found the audio data and score of “Mobile Background”, read and listen repeatedly, and finally finished this article that I dare not call it a comment, but rather a learning experience for lovers to share .