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邹惟山组诗《江汉之雾》以雾为切入点,指出今“雾”非昔雾,字里行间流露出先生对昔日白雾的怀念之情,及对当前“黑雾”的忧虑之苦。惟山先生以独特的生态创作方式从组诗的内容到形式上建构了丰富的生态情怀,祈求理想家园的回归和建在现代文明之上的诗意栖居。因此,本文认为组诗《江汉之雾》正是其生态创作的典范。
The poem “Jianghan Fog” by Zuo Wei Shan pointed to the fog as the starting point, pointing out that this “fog” is not a mist of the past, which shows his miss of the old mist and the anxiety about the current “black mist” . However, Mr. Shan, with his unique way of ecological creation, has constructed rich ecological feelings from the contents of the poems in the poems to formally pray for the return of the ideal homeland and the poetic dwelling built on top of modern civilization. Therefore, this paper holds that the poem “Jianghan Fog” is a model of its ecological creation.