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随着越来越多的人接受了“上帝已死”这一狂言,庄严、肃穆而崇高的悲剧,以及由来已久与悲剧共生共灭的有关这个苦难世界中人类救赎的神话,便很少被人谈及而渐渐变得消声匿迹了。正因为这样,当我们在悲剧的废墟和一片人类信仰荒芜的原野上与满含宗教情怀的悲剧诗人张晓风相遇时,我们难免惊异与激动。 一、悲剧的诞生 张晓风的舞台剧创作始于1971年,她以颂扬基督救世精神的《画爱》跻身剧坛,紧接着又以摒弃世
As more and more people accept the mantra of “God is dead,” solemn, solemn and noble tragedies, and the myth that humankind has redeemed in this suffering world long ago coexisted with the tragedy, few Was talked about and gradually disappeared. Because of this, when we meet with Zhang Xiaofeng, a tragic poet full of religious sentiments, in the ruins of the tragedy and the barren wilderness of humanity, we are inevitably surprised and thrilled. First, the birth of tragedy Zhang Xiaofeng’s theatrical creation began in 1971, she praised the spirit of Christ’s salvation “painting love” among the ranks of the theater, followed by rejection of the world