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《西游记》中的微观空间是与宏观和中观相对而言的空间存在,长期被忽略的微观空间是小说的重要艺术特质。小说创造了大量形态各异的微观空间,微观空间在文本中表现为细微形态的物体、变化缩小的人物及其存在的细微物质性空间与社会关系,它是幻想艺术展开的独特场所,孙悟空是串连微观、中观、宏观空间的矛盾关系统一体。微观空间的叙事视角随着情节变化而在宏观、中观世界之间灵活转换,其中微观视角促进了幻想艺术的拓展与深化,使小说的情节更为新奇有趣,创造出让人感觉既熟悉又陌生的环境与场景,同时融合童心特点与游戏精神,充分展现了超现实微观空间的艺术价值。
The micro-space in Journey to the West is the relative existence of space with macro- and medium-perspective. The long-neglected micro-space is an important artistic feature of the novel. The novel creates a large number of microscopic spaces of various forms. The microscopic space is characterized by subtle objects, diminishing characters and the subtle material space and social relations that exist in the text. It is a unique place where fantasy art unfolds. Concatenate the contradiction between the micro, meso and macro space. The narrative point of view of the micro-space changes flexibly between the macro and the metaphysical world with the change of plot. The micro-perspective promotes the expansion and deepening of the fantasy art, making the plot of the novel more novel and interesting, creating a feeling of familiarity and strangeness The environment and the scene at the same time, combined with innocence and the spirit of the game, fully demonstrated the artistic value of the surreal microcosmic space.