以关于人的基本权利、尊严和全球正当秩序为基础的抗战叙事开始成为一些电影的叙事策略。这在一定程度上开启了中国抗战电影的空间,也在某种意义上成为中国关于战后国际政治秩序从民族主导向民族与人的基本权利为基础的正当性思考的影像表征。 Anti-Japanese narratives based on fundamental human rights, dignity and global order began to become narrative strategies for some films. To a certain extent, this opened up the space for a war film in China and in some sense, it became an image representation of China’s legitimacy on the basis of the post-war international political order from the ethnic dominant to the fundamental rights of the nation and the people.