冯班开辟了一种由晚唐上溯齐梁的诗学路径。他在学习齐梁诗风的同时,也注意到它在晚唐的复兴,这种纵向的诗学视阈使他更容易捕捉到晚唐诗人对齐梁诗风的新发展,并最终由晚唐李商隐诗入手向齐梁复归。冯班将李商隐的七言无题诗视为以晚唐为体、以齐梁为用的诗歌典范。他不仅较早用“比兴”观去解释李商隐无题诸诗,也以比兴观念为指导创作七言无题诗。这种新的齐梁诗风,可以看作一种独具特色的“晚明齐梁体”。 Feng class opened up a poetic path dating back to Qi Liang from the late Tang Dynasty. While learning the poetic style of Qi and Liang, he also noticed its revival in the late Tang Dynasty. This longitudinal poetic horizon made it easier for him to capture the new development of late-Tang poets alike, Start Qi Qi return. Feng class will be Li Shangyin’s seven-word Untitled Poems as the late Tang as the body, with Qi Liang as a model of poetry. He not only explained Li Shangyin’s Untitled Poems earlier with the concept of “Bi Xing”, but also created a seven-character Untitled Poem under the guidance of Beixing. This new Qi Liang Poetic style, can be seen as a unique “late Qing Qi Liang body ”.