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自1905年《定军山》拍摄成功,“电影”这一视觉艺术和文化工业的结合体在极短的时间内便大踏步地进入了在传统与现代之间徘徊流连的中国。无论从诞生时间、发展历程还是自身属性来认识,电影都是现代性的标志性文化载体之一,具有非常鲜明的大众文化特征。一个多世纪以来,关于中国电影的各种艺术探索以及理论研究始终围绕着电影的“文化属性”和“工业属性”两个关键词曲折前行。不难发现,在每一个市场经济蓬勃繁荣的时期,商业电影的繁荣便随之而至,而恰恰也就是在这样一些时期,电影无论是表现手法、叙事方
Since the successful filming of “Dingjun Mountain” in 1905, the combination of the visual art and culture industry of “Film” has made great strides in entering the China that lingers between tradition and modern times in a very short period of time. No matter from its birth time, development history or its own properties to understand, the film is one of the symbolic carrier of modernity, has a very distinctive mass cultural characteristics. For more than a century, various artistic exploration and theoretical studies on Chinese films have been based on twists and turns of the two key words of “cultural attribute” and “industrial attribute” of the movie. It is not difficult to find that in the period when every market economy is booming and thriving, the prosperity of commercial films will follow. It is precisely during such periods that no matter how the film is expressed,