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中国传统艺术中的文人画最本质的特征是“具象写意”的创作思路。而“具象写意”之所以成为文人们的艺术追求的自觉选择,其思想根源与中国传统哲学中“得意忘象”的思辨性理论紧密联系。通过对“得意忘象”哲学思路的梳理,进而探求文人画走上“具象写意”之路的原因。
The most essential feature of the literati painting in Chinese traditional art is the creative thinking of “figurative and freehand ”. The reason why “figurative freehand ” has become the conscious choice of literary pursuit of the literati, whose ideological roots are closely linked with the speculative theory of “happy forgetting ” in Chinese traditional philosophy. Through the combing of philosophical thinking of “happy forgetfulness”, this article explores the reason why literati’s painting embarks on the road of “figurative and freehand”.