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20世纪40年代早期,德国大戏剧家和诗人贝托尔特·布莱希特(1898-1956)曾创作过一部名为《四川好人》的著名戏剧。这部戏剧的情节迂回曲折,许多观众对里面的情节和它倡导的准则都疑惑不解:“在一个被另类道德驱动的社会中,大家有可能过上‘好’日子么?”我们经常看到媒体将某些人颂扬为“好人”或“高尚的人”。但是,对这些人的评判是基于什么样的标准呢?而且他们身上的什么“好或高尚”品质被公众评判为要比其他人要好很多呢?在我看来,我们对“好或高尚”或者其他类似说法的定义评判是建立在某种基本社会道德发展的基础之上的。
In the early 1940s, the German dramatist and poet Bertolt Brecht (1898-1956) had written a famous play entitled “The Good Man in Sichuan”. The plot of the drama twists and turns, and many viewers are puzzled by both the plot and the guidelines it advocates: “Is it possible for everyone to have a ’good’ day in an ethically driven society? ’ Often see the media praising some as ”good person “ or ”noble person “. But what are the criteria for judging these people? And what are the ”good or noble“ qualities of the people who are judged by the public to be a lot better than the others? In my opinion, Or noble ”or other similar statements of the definition of judgments is built on the basis of some basic social and moral development.