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明代状元别集中涉及的文体,近七十种,可分为诗、文两大类。在“文”中,赠序类、碑传类、书牍类数量最多。在“诗”中,近体诗尤其是七律倍受青睐,词曲则相对受到冷落。这些事实表明,明代的主流文学观念依然是一种杂文学观,高度重视文学的社会功能和实用价值。20世纪30年代以降的文学史著作,往往用纯文学观来考察中国古代文学,有时难免削足适履,并因侧重于框架的建构,而忽略了文学史上大量意味深长的细节。
Nearly seventy kinds of style and genres involved in the fame and genre of the Ming Dynasty can be divided into two major categories: poetry and prose. In the “text ”, donated prequel, tablet type, book 牍 class number up. In “poem ”, near-body poetry, especially seven sentiments are favored, the lyrics are relatively neglected. These facts show that the mainstream literary ideas of the Ming Dynasty are still an essay view of literature, attaching great importance to the social function and practical value of literature. In the 1930s, the literary history descending often used the view of pure literature to examine the Chinese ancient literature, and sometimes it was inevitable that they should be adequately catered for and fit the framework. However, they neglected a large number of meaningful details in the history of literature.