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在海德格尔艺术观看来,《上教堂》反映作者对宗教、教堂或者上教堂这一行为复杂的矛盾心理只是作者的表现手法,目的在于把读者的注意力从对教堂对象化的思考转移到对教堂运作意义的关注。接着,作者用层层设问的手法在“器具”层面上对教堂的运作意义进行分析。以二者为铺垫,作者表达了作为艺术作品的教堂承载并表现了历史人们的命运的观点。
In Heidegger’s view of art, the “confucianism” reflects the author’s ambivalence about the author’s complex ambivalence toward religion, church, or church attendance, with the aim of shifting the reader’s attention from the objectification of the church to The significance of the operation of the church. Then, the author analyzes the operational significance of the church on the level of “tools” by means of layers and layers. Taking both as a backdrop, the author expresses the view that the church as a work of art bears and represents the destiny of people in history.