古代文论中“奇”这一范畴可以追溯到先秦老子的以奇用兵、兵法的奇正相变等,而到了唐代这一文学的繁荣时期,文人、诗人们在创作和文论中都积极推行奇与创新,追求诗歌新奇的艺术效果,并且取得了不俗的成就。本文通过研究中晚唐关于奇的论述,加以分析其理论价值和发展脉络,并指出奇的创作形式和正确的发展方向。 In the ancient literary theory, the category of “odd” can be traced back to the odd military exploits of the pre-Qin dynasty and the odd phase transition of the war art. By the time of the prosperity of the literature in the Tang Dynasty, literati and poet They all actively promote the artistic effect of oddity and innovation, pursuing the novelty of poetry, and have made remarkable achievements. This paper analyzes the theory about the oddness in the middle and late Tang dynasty, analyzes its theoretical value and development context, and points out the odd creative style and the correct development direction.