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19世纪初以华兹华斯为代表的英国浪漫主义文学与 2 0世纪初以郭沫若为代表的创造社浪漫主义文学 ,作为对过去传统的反叛 ,都极力张扬情感在文学中的地位和作用 ,因而其文学形式表现出某些相似之处。然而 ,它们又是两种不同文化语境中的文学 ,不同的文化内涵使之表现出不同的情感美学思想 ,促使它们走上了两种不同的文学发展道路。本文对中英浪漫主义作家对文学本体的认识、对作家创作想象的阐释、对美的不同体认、对文学的社会作用的看法以及他们的创作实践等问题进行讨论 ,以此探讨情感在文学中的作用。
British romanticism represented by Wordsworth in the early 19th century and romantic creation literature represented by Guo Moruo at the beginning of the 20th century, as the rebellion against the tradition of the past, tried their best to publicize the position and function of emotion in literature, Thus its literary form shows some similarities. However, they are two different cultural contexts of literature, different cultural connotations make it show different emotional aesthetics, prompting them embarked on two different paths of literature development. This essay discusses the understanding of Chinese and English romantic writers about literary noumenon, the interpretation of writers’ creative imagination, the different recognition of beauty, their views on the social role of literature and their creative practice, so as to explore the relationship between emotion in literature Role.