“一部电影史,也就是一个民族的文化形象史和心灵成长史。”1从最初具有乡土气息的“影戏”称谓起,中国纪录片创作先后经历了20世纪三四十年代地理风光的零星描绘和风土民情的新闻资料式记录,50年代的少数民族社会面貌、生活方式和宗教文化的系统影像整理与挖掘,80年代兴起的平民化纪实热潮和21世纪的“怀念乡愁”等发展阶段。对乡土题材的关注、民俗风情的展现、传统文化的弘扬成为中国纪录片民族化追求的主要途径和实现国际 “A movie history, that is, the history of a nation’s cultural and spiritual growth.” 1 From the earliest “shadow play” appellation, Chinese documentary creations have experienced the geography of the 1930s and 1940s The sporadic depictions of the scenery and the press material records of the customs of the local customs, the social images of the ethnic minorities in the 1950s, the system images of the lifestyles and religious cultures, the documentary upsurge of the civilians in the 1980s and the memory of the nostalgia of the 21st century, "And other stages of development. Concerned about the local themes, the display of folk customs, the traditional culture to promote the nationalization of China’s documentary the main way to pursue and achieve international