接受美学为20世纪60年代末期兴起的文艺美学思潮,该理论强调以读者为中心,认为读者应为文学接受的主体以及审美者和阐释者的双重身份。周方珠教授对于元曲《凭阑人·寄征衣》的译文,从接受美学的角度对读者的主体地位、译者的主观能动性、读者的期待视野等方面进行了解构与重组,为读者留下了广阔的遐想空间,引导读者进行文本之外的深度思考。 Accepting aesthetics is the rise of literary aesthetics in the late 1960s. This theory emphasizes readers as the center, believing readers should be the subject of literary acceptance and the dual identities of aesthetic and interpreter. Professor Zhou Fang Zhu deconstructed and reorganized the reader’s subjective position, the translator’s subjective initiative and the reader’s expectation horizon from the perspective of aesthetic acceptance for the translator of the " A vast space for reverie, guide readers to depth thinking outside the text.