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书法艺术的发展在特定的时代有其本质的规定性,在时代精神的作用之下,本质的规定性的形成需要书法批评主体与书法本体形成内在的张力,并以书法批判主体进行引导,通过对书法本体的反思,在流变之中时刻生成对书法本体的否定,而这一个过程是承接双向的过程,我们可以称之为解构与建构的过程。本文通过聚焦文化价值观和构成哲学的理论态度,形成由内向外和由外向内的审美新范式,以期书法审美的本质得到真正的回归。
The development of calligraphy art has its own essential provisions in a specific era. Under the function of the spirit of the times, the formation of essential provisions requires that the main body of calligraphic criticism and the body of calligraphic form an inherent tension and be guided by the main body of calligraphic criticism The reflection on the calligraphic ontology always generates the negation of the calligraphic ontology in the course of change. This process is a two-way process that we can call deconstruction and construction. By focusing on cultural values and the theoretical attitudes that constitute philosophy, this essay forms a new paradigm of aesthetics from inside to outside and from outside to inside, so that the essence of calligraphy aesthetics can be truly regressed.