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“寻找”是新生代导演共同恪守的主题意象,也是新生代影人心路历程的表征。在张元的电影中,“寻找”似乎成为一个反复纠缠、挥之不去的意象,这种意象在《北京杂种》中具有了发散的意蕴。在《三峡好人》中,“寻找”构成了两个爱情往事的套层叙事,体现出贾樟柯电影“在变化中寻找”的一贯主题。而在陆川的处女作《寻枪》中,“寻找”丢失的手枪却构成了个人、家庭、社会生活的颠覆和重构等多重意蕴。
“Looking for ” is the theme image jointly honored by the directors of the new generation, and is also the symbol of the mentality of the new generation of filmmakers. In Zhang Yuan’s film, “Seeking” seems to be an image that is repeatedly entangled and lingering. This image has a divergent meaning in “Beijing Hybrid”. In “The Three Gorges Good People,” “Searching For” constitutes a juxtaposed narrative of two love affair and reflects the consistent theme of Jia Zhangke’s movie “Looking for Change”. In Lu Chuan’s debut act, “Searching for a Gun”, the “lost-looking” pistol constituted multiple connotations of subversion and reconstruction of individuals, families and social life.