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本文主要从作家创作《阿干歌》的触发点切入,首先分析了小说文白杂陈语言特征之后游移古今的叙事视点,进而指出作家在处理“历史真实”和“艺术真实”的分寸力度,最后探析了太子爱情传奇作为“最后一个”的故事模式所产生的艺术想象空间和文学魅力,打通了从历史纪实到小说虚构的路径。
This thesis mainly analyzes the author’s writing of the “A-kan song” triggering point. First, it analyzes the ancient and modern narrative point of view after the feature of the novel’s white-and-white language. Then it points out that when the writer deals with “historical truth” and “artistic reality” Finally, it explores the artistic imagination and literary charm produced by Prince Edward Love Legend as the story mode of “Last ”, which opens up the path from historical documentary to fictional fiction.