我国晋代陶渊明的《归去来兮辞》（下文简称《归》）与法国女作家乔治·桑的《冬天之美》（下文简称《冬》）都是歌颂田园风光的美文。这两篇文章同中有异，异中有同。下面从写景、抒情、言志三方面来对它们的异同作简要的分析。首先，这两篇文章都描绘了生机盎然、充满诗情画 Tao Yuanming’s “Returning to Verse” (hereinafter referred to as “guiding”) and the French writer George Sang’s “Winter Beauty” (hereafter referred to as “Winter”) in the Jin Dynasty of China are both odes to the pastoral scenery. The two articles are different and different in content. The following brief analysis will be made of their similarities and differences from the perspectives of scene description, lyricism and expression of ambition. First of all, both articles depict vivid and poetic paintings