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近年来,国内音乐学界引进了分析美学流派,对斯蒂芬·戴维斯、彼得·基维、罗杰·斯克鲁顿、杰罗德·莱文森这几位分析美学家的音乐美学思想进行了介绍与研究。笔者在阅读戴维斯的著作《音乐的意义与表现》时发现,他经常提及布德,认为布德的理论有独到之处。然而,国内学界并没有引介他的音乐美学思想。笔者硕士学位论文以他作为研究对象,为此查阅了大量英文资料,对他的音乐情感理论进行梳理、分析,为学界相关研究提供参照。
In recent years, the domestic music academy has introduced the analytical aesthetics genres and carried out the musical aesthetics of several analytical aesthetics such as Stephen Davies, Peter Kivi, Roger Scrooden, and Jerrod Levinson Introduction and research. When I read Davis’s book The Meaning and Performance of Music, I found that he often referred to Bude and believed that Bude’s theory was unique. However, the domestic academic circle did not introduce his music aesthetics. The author master’s thesis treats him as the object of study, thus access a large number of English information, the theory of his music emotions to sort out, analyze, provide reference for academic research.