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朵渔在诗歌写作中抛弃了从概念到概念的抽象的哲学名词的演绎后换来的是对生活的即时性、当下性和个人性的审美把握,对僵死的哲学概念的内涵与外延的悬置延宕敞亮了备受遮蔽和压抑的生活的鲜活性和丰富性。朵渔以形而下的描绘与形而上的探索、自责意识与难能可贵的反省精神,在琐碎庸常、反复循环、单调乏味的日常生活中去发现被习以为常熟视无睹的惯性思维遮蔽的事物的另一面。这种脚踏实地的诗风也为理论的夸大与实验的渺小、标签的美轮美奂与作品的干瘪无味的乱哄哄的当代诗坛提供了有益的借鉴。
Duo Yu fishing discarded in the poetry from the concept to the concept of abstract deduction of the philosophical terms in exchange for the immediacy of life, the moment of the aesthetic and personal grasp of the concept of rigid philosophy connotation and extension of the suspension Decrease the freshness and richness of a shaded and depressed life. In a metaphysical, metaphysical exploration, self-blame consciousness and uncommon spirit of reflection, tribal fishing discovers the other side of the thing that is thought to be obscured by Changshu’s inertial thinking in everyday trivial, repetitive and tedious daily life. This down-to-earth poetic style also provides a useful reference for the contemporary poetic circles of the exaggerated and experimental theory, the beauty of the label, and the dry and tasteless chaos of the works.