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在清代年画中,女性形象呈现出组合式、场景式、连环式等多元化图式构成,一方面体现了创作者的艺术智慧,另一方面表达了民间艺术“满”“全”“多”的审美理念。这些具有唤起人们情感共鸣的感性召唤结构,暗示了民众对现实生活“求全”“求美”的心意诉求,是艺术补偿功能的内在契机的体现。
In the New Year pictures in the Qing Dynasty, the female images showed a combination of composition, scene, and chain, etc. On the one hand, it embodies the artist’s artistic wisdom, on the other hand, it expresses folk art “Full ” “ ”“ More ”aesthetic concept. These structures have the emotional appeal which arouse people’s emotional resonance, which implies that the public’s desire for the life in the real life “seeking beauty ” is the embodiment of the inherent turning point of the art compensation function.