读熊正良近年的几部小说(如《谁在为我们祝福》、《追上来啦》、《沙米的陈大林》等),确实让人感到他的与众不同,甚至感到他与当代文学潮流的某种“错位”。然而也许正是这种与众不同或错位,才值得引起特别的关注,值得我们思考和追寻其创作的特殊意义。如今被认为是一个文学的后现代化时代,是一个更需要文学提供直接消费而不是提供理性思考的时代,因此文学写作的时尚是追求世俗化、欲望化、平面化、肤浅化、轻松化、娱乐化等等,人们从文学(尤其是小说)中大量接触到的是灯红酒绿、纸醉金迷、情爱性爱的廉价抛售,赤裸裸的身体消费屡见不鲜。然而这一切在熊正良的一些小说中几乎不见踪影,我们从他的小说中所看到的,是处于某种生存压力下或某种困境中的普通人的艰难挣扎与人性扭曲,所听到的是来自生活底层的 Reading Xiong Zhengliang’s several novels in recent years (such as “Who is blessing for us,” “Chasing the Comes,” “Sharon’s Chen Dalin,” etc.) really makes him feel different and even feels that he and contemporary literature Some kind of “misplaced” trend. However, it is perhaps this distinctiveness or dislocation that deserves special attention and deserves our consideration and pursuit for the special significance of its creation. The postmodern era now considered as a literary is an age that needs literature to provide direct consumption instead of providing rational thinking. Therefore, the fashion of literary writing is to pursue secularization, desirability, planarization, superficiality, relaxation and entertainment And so on. People come into contact with a great deal of literature (especially fiction) with glitz, passionate selling and loving sex. Cheap naked consumption is common. However, all this is hardly seen in some of Xiong Zhengliang’s novels. What we can see from his novels is the struggles and distortions of ordinary people under some kind of living pressure or some kind of dilemma. As we have heard From the bottom of life