近年来各电视台播出了一批有较大社会影响的系列专题片,这些片子在表现形式上开拓了电视深度报道的新路子,内容上突破了平面化、单一化、模式化的老套子,多方位、多角度地剖析事物本质特征,增强了感染力,赢得了观众的青睐。但是,当前系列专题片也出现了一些令人担忧的倾向,比如有些电视系列专题片越拉越长,工程浩繁,调动大批人力物力,历经数载,投资数十万,甚至百万,可谓劳民伤财;有些系列专题片内容空泛,语言苍白无力、呆板、乏味,缺乏抓住观众的艺术效果。名为“系列”招人耳目,实质上浅尝辄止,蜻蜓点水,不仅难以给观众留下印象,引发深沉的思辨,扬起可贵的激奋;而且也使探索中的许多电视节目的创作者们产生了某种疑 In recent years, a series of feature films broadcasted by a large number of social networks have been broadcasted by various television stations. These films have opened up new channels for the in-depth reporting of television in contents and have broken through the stereotyped, unitary and pattern-changing old ways , Multi-directional, multi-angle analysis of the nature of things, enhance the appeal, has won the audience’s favor. However, there are also some worrisome tendencies in the current series of feature films. For example, some feature TV series are getting longer and longer, soaring engineering projects and mobilizing a great deal of manpower and material resources. Over the years, hundreds of thousands or even millions of investments have been made, ; Some series of feature films are empty in content, pale and weak in language, dull and boring, lacking the artistic effect of capturing audiences. In fact, it is not only difficult to impress the audience, trigger deep speculation, raise valuable excitement; but also to explore many of the television program creators have produced a Speculation