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王春芳的长篇小说《1/4天堂》寄予了作者对深圳的独特思考。在小说中,深圳不再具有精神家园、刻意隔绝“他者”的“围”的内涵。作者对于深圳的想象与建构,突破了以往小说中城市仅作为背景存在的手法,而将其设置为一个与“人”并置的主体,在不断地与人游戏、较量中,展现自身的强大力量,在这一过程中人心走向了异化。作品关于深圳的想象,又是通过人与城的互相建构来完成的,可以从友情和爱情这两对人伦关系中得到解读。
Wang Chunfang’s novel “One-quarter Heaven” has placed the author’s unique thinking on Shenzhen. In the novel, Shenzhen no longer has a spiritual home and deliberately isolated the connotation of “Wai ” of the “other”. The author’s imagination and construction of Shenzhen broke through the metropolis in the previous novels as a mere background, and set it as a subject which is juxtaposed with "people The powerful force in this process, the people toward alienation. The work’s imagination about Shenzhen is accomplished through the mutual construction of man and city, which can be read from the relations of friendship and love.