本文力图说明,莫言当年回乡收集高密剪纸和泥塑,也许起初并不是出自艺术的自觉。但是,就在这一过程中,在与随行友人切磋当地民间艺术的同时,渐渐意识到他创作中还存在着另一重要资源。这是他从对马尔克斯和福克纳小说的关注中开始回归中国传统文化和文学的一个契机。文章属于史料文献整理的形式,论述分析退其文后。因为在作者看来,让史料说话才是真正让历史说话。 This article attempts to explain, Mo Yan was home to collect high density paper-cut and clay sculpture, may not initially come from art conscious. However, in the course of this process, while learning the local folk art with accompanying friends, I gradually realized that there was another important resource in his creation. This is an opportunity that he began to return to Chinese traditional culture and literature from his concern with the novels of Marquez and Faulkner. The article belongs to the form of collation of historical documents. Because in the author’s opinion, let the story of history is really make history speak.