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在1991年,我总想把绘画作为探索设计的途径,而不仅仅是再现设计想法的工具;但我并不知道如何去做,于是在设计垂直玻璃宅时试验了不同的绘画方式。为了不背离建筑的精神,我做的第一个决定是不徒手画,而是从一开始就用器具制图。就绘画媒介而言,早期概念草图是用水彩、铅笔、墨线画的,去琢磨质感、光线、气氛;中期作透明胶片上画墨线研究玻璃楼板之间的关系;最终用传统的水彩渲染完成一套图纸,追求尽可能详尽和精确地
In 1991, I always wanted to use painting as a way of exploring the design, not just as a tool to reproduce the design idea; but I did not know how to do it, so I experimented with different painting styles when designing the vertical glass house. In order not to deviate from the spirit of architecture, the first decision I made was to not paint without hand, but to draw the device from the very beginning. As far as the medium of painting is concerned, the early conceptual sketches are drawn with watercolor, pencil and ink lines, and the texture, the light and the atmosphere are drawn. In the medium term, the relationship between the glass floor panels drawn on the transparent film is studied. Finally, Set of drawings, the pursuit of as detailed and precise as possible