评论家千叶龟雄的《新感觉派的诞生》可以说是新感觉派的催生剂,正是有了这篇文章,新感觉派的作家们才明确了自己的早期创作特点和以后的文学方向。千叶龟雄认定新感觉派的作家是文坛上萌生的新芽,但是对于他们能否成为文坛的主流则心存疑虑,他担心日本的文坛很难接受这种异质风格的文学,同时又担心沉醉于这种感觉会成为没有生命力的游戏。千叶龟雄为新感觉派这一新作家群体进行了命名,并且解读出这一作家群体共有的、能够显示文坛变动的特征,但是他的评论还无法成为这一文学派别的内部发言。新感觉派的代表作家横光利一写作的《感觉活动》,才是这一文学派别的真正意义上的内部发言,在这篇文章里,横光利一对这个作家群体眼中的新感觉进行了自己的解释。多年之后,横光利一发表了他的《纯粹小说论》,他一方面继续主张新的文体形式,另一方面则关注小说的表现内容,坚定地认为小说写作不能仅仅停留在事实的报告上,需要表现大多数人的“通俗”活动。所谓变纯粹小说为通俗小说,看似语出惊人,令人匪夷所思,事实上并没有背离横光利一在新感觉派文学时期的文学主张,相反倒可以看做是对他以往的文学主张的补充,是他在新的文学时期对现代主义文学的一种认识变革。 Commentator Chiba Kamei’s “Birth of a New Sensation School” can be said to be the birth agent of the New Sensation School. With this article, the writers of the New Sensation School made clear their early writing characteristics and later literature direction. Chiba Kameo decided that the neo-sensationalist writers were sprouts of the literary arena, but they were skeptical about whether they could become the mainstream of the literary world. He was worried that Japanese literature would hardly accept this heterogeneous style of literature while worrying Indulge in this feeling will become a lifeless game. Chiba Kameo named a new sensationalist group of writers and interpreted the characteristics shared by this group of writers alike to show the changes in the literary arena but his comments failed to become an internal statement of the literary faction. The “sensory activity” written by the new sensationalism writer Yokogawa Yuri is the true internal statement of this literary genre. In this article, Yokohama performed himself on the new feeling in the eyes of this group of writers explanation of. Years later, Yokohiko Monogatari published his theory of “pure novel”. While continuing to advocate new forms of style, he paid close attention to the content of the novel. He firmly believed that the writing of the novel should not stop at the factual report. Need to show the majority of people “popular ” activities. The so-called change pure novels as popular novels, seemingly surprising, incredible, in fact, did not deviate from Yokogaw a literary prophecy literature period, on the contrary can be seen as a supplement to his previous literary ideas Is a kind of cognitive change he has made in modern literature in the new literary period.