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电影首先是看的艺术。摄影机经常被比作人的眼睛,银幕则被比作观看的窗口。一部影片包含多种观看,既有影片外观众的观看,又有影片内各个人物的观看。将各种观看的视点组合起来的是摄影机与运用摄影机的人,采用电影叙事学的说法,就是演示的机制、叙述的机制。克里斯蒂安·麦茨创建的电影符号学为自身确定的任务,就是理解人们是怎样理解影片的。因为电影离不开视点,所以,看与被看对于一
The first is the art of watching movies. Cameras are often compared to human eyes, and the screen is likened to a viewing window. A video contains a variety of viewing, both the film audience to watch the audience, as well as all the people watching the movie. The point of view of the various combinations of video cameras and those who use the camera, the use of film narrative theory, is the mechanism of presentation, narrative mechanism. The defining task for semiotics created by Christian Mathiec is to understand how people understand the film. Because the movie can not be separated from the point of view, so, look and be seen to one